posted by Matthew Belinkie on Tuesday, November 24th, 2009 at 7:00am
Matt: I like Showgirls. And I don’t mean I like it in the “so bad it’s good” way I like The Postman. I actually think Showgirls is a good movie. There, I said it.
Notice I didn’t say it was a GREAT movie. Certainly, it’s nobody’s favorite Paul Verhoeven flick (unless you grew up with a major crush on Jesse Spano). But you know what? I like it better than The Hollow Man.
Showgirls tells the story of Nomi Malone, a tough blond who hitchhikes into Vegas with nothing but a single suitcase (which immediately gets stolen). But she’s got two things nobody can take away: a great body, and a gift for dancing. Nomi starts out at the seediest strip club in town. But soon she breaks into the chorus of Goddess, a lavish stage show at a big casino. There, Nomi faces off with the queen bee, Cristal Connors, who either wants to befriend her, destroy her, or turn her into a sex toy.
Nomi may be a topless dancer, but she repeatedly insists she’s not a whore and she’ll never be like Cristal. But (surprise surprise) the higher she climbs, the more she becomes everything that once made her seethe. It’s a story as old as All About Eve, but with the sex jacked up to eleven. This is the most-expensive NC-17 rated film ever produced, and you will see more breasts than Frank Perdue.
It sounds fun, right? It IS fun, damnit. But for reasons I don’t fully understand, conventional wisdom firmly believes that this film is one of the worst of all time. It has an abysmal 14% fresh rating on Rotten Tomatoes, and it won the un-coveted “Worst Movie of the Decade” award at the 2000 Razzie Awards. In fact, Showgirls has won more Razzies than any movie ever made. It’s a cinematic punching bag. And I don’t think it deserves it.
posted by fenzel on Wednesday, April 29th, 2009 at 7:49am
10. Brush your Shoulders Off (Jay Z) — Time passes, seasons change, the Electric Slide gives way to the Cha Cha Slide at weddings, but one thing remains: DJs and emcees always want you to do something. While some music may ask more of us than dance music does, no other sort has the gall to up and demand it in the lyrics.
At least Jay Z here had the courtesy to demand something simple and easy to do that doesn’t require you to move your feet or get your heart rate up above 60 beats per minute or so. You can even do it while you’re holding your drink! Now I understand why the man is so successful — he doesn’t waste energy. (And because Universal has embedding on lockdown, here’s the DJ Danger Mouse remix. It’s probably for the best)
There’s also the sense that Jay Z wants you to do it for your own good, which is a mixed blessing. On one hand, it’s courteous and encouraging. On the other, “Who do you think you are telling me what to do, Jay Z! Geez!”
So last night, just as I was about to head to bed, I flipped across the 1969 Sydney Pollack movie They Shoot Horses, Don’t They? I ended up staying up way too late, but wow – that’s a fun movie. And by fun, I mean jaw-droppingly sad.
The movie is set during the Depression, and it’s about a dance marathon – last couple dancing gets $1,500. That sounds like it might be a fun little comedy. But all the contestants are desperate, one step away from dead in a gutter, and they dance like their lives depend on it. And meanwhile Rocky, the promoter, charges admission to watch them teeter on the brink of physical and mental collapse as the days stretch into weeks…