In 2008 and 2009, the zombies have taken over. From the multiplex to the classics of 10th grade literature, the shambling undead hordes have gnawed their way into America’s hearts and skulls since they first appeared in 1968.
But the real origins of today’s zombies don’t lie with George Romero or Dan O’Bannon. Nor do they come from the Voo-Doo mind-control zombie films of the 1940’s. No, the first zombies to invade our popular culture died 3700 years ago, appeared in popular American literature in 1868 and appeared on screen in 1932. They were called Mummies and it seems that they’ve been forgotten this Halloween.
The seasonal shelf at Barnes & Noble. Lots of zombies, several vampires, a couple of ghosts, a pack of Shechner's werewolves and a Frankenstein. Where my Mummies at?
The ancient Romans, the world’s first tourists, used to visit Egypt to see the pyramids and look at mummies because those things were old. 2,000 years ago, they were 2,000 years old. Like us and Madonna, the Romans believed that the ancients knew magical secrets that we have since forgotten. We look for those secrets in the page of Dan Brown novels, but the Romans only had Virgil, so they brought home real unearthed mummies instead. Either as souvenirs in an age before site-specific shot glasses or ground up and ingested as medicine, thousands of mummies made their way to Europe and into the public imagination as something powerful, mysterious and potentially sinister.
If Mummyx causes plague, boils, frogs or the death of your firstborn, stop taking Mummyx and consult your physician.
After the Arabs conquered Egypt, the trade dried up and the European fascination with Egypt didn’t return until the end of the 18th century when Napoleon’s archaeologists found the Rosetta Stone. The 19th century was simply giddy over Egyptology. (What other country should have its own ‘ology’? Sound off in the comments.) As the fine folks at the British Museum plundered every grave they could find, Western writers recognized the inherent creepiness of grave robbing and started writing books about it.
Three major mummy works of the 19th and early twentieth centuries were, in order of coolness, “The Mummy’s Foot” by Theophile Gautier (1847), Jewel of the Seven Stars by Bram Stoker (1903), and “Lost in the Pyramid, or The Mummy’s Curse” by Louisa May Alcott (1868). That’s right, in between Little Women and Little Men, Alcott wrote a short story about the undead.
The three stories basically follow the same plot: person comes into possession of a mummy or a piece thereof, mummy is not as dead as originally hoped, vaguely magical bad things happen until whatever is disturbing the mummy’s rest is put right. Moral of the story: stop robbing graves you sick bastards.
Ultimately, you’ve never heard of any of these. They’re not that good, whatever the New York Times says. Stoker’s plot cowers behind impenetrable prose, Gautier’s story focuses on his protagonist’s great taste in home décor (the titular mummy’s foot is a new paperweight), and Alcott’s most horrific moment involves deadly Egyptian flower seeds. In none of them is there an ancient, rotting corpse coming to get someone. That took the magic of cinema.
In 1922, Howard Carter discovered the previously un-grave-robbed tomb of King Tut and the world’s Egypt fetish hit an all time high. Why it took ten years to greenlight, we’ll never know, but in 1932, Boris Karloff first played an undead creature, shambling across the screen, bringing inevitable doom. He and director Karl Freund, who served as cinematographer on both Fritz Lang’s Metropolis and “I Love Lucy,” where he’s credited with developing the first three-camera sit-com, gave us many of the tropes that horror has come to rely on.
Mouth technology has come a long way since 1932.
Their story, most familiar to us from the once fun and now thoroughly unwatchable Brendan Fraser franchise, has Prince Imhotep cursed for all eternity for falling in love with the Pharaoh’s main squeeze, then killing the boss. Instead of just having him buried/eaten alive, they have him buried/eaten alive in a way that leaves open the possibility that he’ll come back with god-like powers. Say what you want about the American penal system, it has at least replaced apotheosis with a parole board.
The real Imhotep was one of the ancient world’s great architects. To someone from the Old Kingdom, these movies would be like us running from a reincarnated Frank Lloyd Wright.
Having endured that harsh/stupid form of punishment for thousands of years, Imhotep comes back, as Belinkie put it, as an ancient, bandage wrapped, unstoppable Terminator whose existence means certain death for someone. Unlike a zombie, the mummy takes things personally. If you spent much of your life and fortune preparing for the afterlife, had your viscera removed and your brain pulled out of your nose, then found out that eternal life meant millennia of dust and darkness followed by grave robbers screwing with you, you might take things personally too.
So this Halloween, go ahead and put on your zombie costume (or better yet, an Overthinking It “Braaaaaaaaaaaaaaaaaaaains” shirt) and have your fun. Just remember the wisdom of the ages, respect your elders and show the mummies some respect.
For those of you who are not aware, back in the 1980s, a man named Samuel Raimi made a series of films called The Evil Dead Trilogy. These films, particularly the second and third of the trilogy, are beloved as cult classics from the horror-comedy genre. Evil Dead 2, for example, has a scene where its protagonist (Bruce Campbell) gets in a slapstick duel to the death with his hand. The third movie, Army of Darkness, involves Bruce Campbell’s character traveling back in time to train a medieval army to fight his evil clone and a legion of living skeletons. These movies were made, shall we say, with a tongue firmly in cheek.
