So let’s talk about the music. As you probably know, the score is by Radiohead guitarist Jonny Greenwood (the musical equivalent of stunt casting) and it’s gotten a lot of press for that reason alone. But Greenwood has serious chops – this is one of the best scores I’ve heard in years. I’m sure it would have gotten an Oscar nomination, if the Academy hadn’t judged the score ineligible (apparently because Greenwood reused sections of a preexisting composition that he’d written for the BBC in 2004). A lot of my fellow film music nerds are pissed off about this, but I don’t particularly care… Greenwood doesn’t need the money, fame, or validation, and the score itself has received plenty of media attention already…