I thought about trying to parse the subtext of Jeff Bridges’ rambling Oscar acceptance speech (spoiler alert: he’s channeling The Dude in a seriously uncanny way), but to no one’s surprise, I decided to try a slightly more…quantitative method.
Behold, the 2010 Oscar Acceptance Speech Word Cloud:
(Click for a larger version)
Statistical insights, after the jump:
The Overthinkers (well, some of them) gather in New York’s East Village. Matthew Wrather hosts a panel including Matthew Belinkie, Mark Lee, Jordan Stokes, and Ryan Sheely (live), and Peter Fenzel and Dave Shechner (remotely) to Overthink listner questions, the inauguration, Barack Obama’s cult of personality, and the Oscars.
As always, call 20-EAT-LOG-01 (that’s (203) 285-6401) to leave a voicemail. (Email is still down.)
Download Episode 30 (MP3)
So let’s talk about the music. As you probably know, the score is by Radiohead guitarist Jonny Greenwood (the musical equivalent of stunt casting) and it’s gotten a lot of press for that reason alone. But Greenwood has serious chops – this is one of the best scores I’ve heard in years. I’m sure it would have gotten an Oscar nomination, if the Academy hadn’t judged the score ineligible (apparently because Greenwood reused sections of a preexisting composition that he’d written for the BBC in 2004). A lot of my fellow film music nerds are pissed off about this, but I don’t particularly care… Greenwood doesn’t need the money, fame, or validation, and the score itself has received plenty of media attention already…
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