In which we explore the creation of syncretic postmodern identities in Taylor Swift’s “22.”
The Musical Talmud: “22” by Taylor Swift
Musical Talmud on Overthinking It
Musical Talmud: “Suit and Tie” vs. “Thrift Shop”
The Musical Talmud, Flowchart Edition: “Sexy and I Know It” by LMFAO
Exploring all the combinations of sexiness, self awareness, and expression in LMFAO’s “Sexy and I Know It” – in flowchart form.
The Musical Talmud: Breakfast at Tiffany’s
The Musical Talmud: The Gambler
The Musical Talmud – “Lights” by Ellie Goulding
In a new video commentary, Fenzel breaks down the most electromagnetically radiant song in pop music today.
The Musical Talmud – “Call Me Maybe” by Carly Rae Jepsen
Catch the first Video Musical Talmud, on the song you were probably singing in your head before you read this.
The Musical Talmud: “Party Rock Anthem” by LMFAO
Ersatz Genuineness in Little Mermaid’s “Under the Sea”
If Sebastian is composer to Triton’s court, why doesn’t he tap into his Caribbean roots?
Musical Talmud: Run the World (Girls)
Should probably be titled “Run the World (Girls) (Don’t, obviously, or why would we even need this?)”