posted by sheely on Thursday, March 19th, 2009 at 7:53am
[The "Musical Talmud" is our ongoing series that finds the true meaning behind pop music lyrics. See also Part 1, "Don't Stop Believing," Part 2, "The KKK Took My Baby Away," Part 3, "I Want It That Way," Part 4, "Chinese Democracy," and Part 5 "Happy Xmas (War is Over)."]
Oh no, here it comes again
Cant remember when we came so close to love before
Hold on, good things never last
Nothings in the past, it always seems to come again
Again and again and again
Looking at these lyrics, it is tempting to infer that they are lifted straight from one of the 80s many monster ballads, or really any other romantic pop song. The sentiments are grand, the word choice is general, and love is mentioned in the second line, for chrissakes. However, this inference couldn’t be too much further from the truth- these lyrics are the opening line of “Neon Knights”, the lead track on Heaven and Hell, Black Sabbath’s first album after replacing Ozzy Osbourne with Ronnie James Dio in the late 70s. For those of you unfamiliar with Mr. Dio’s body of work, let’s just say he’s known for being heavy on the “Monster” and rather light on the “Ballad”. Here he is performing “Neon Knights” with Sabbath back in the 80s:
Based on the title, first verse, and one viewing of the video, it is tempting to dismiss “Neon Knights” as just another example of the excesses the dungeons and dragons wing of 1980s Heavy Metal. After all, Dio is the singer who Tenacious D idolizes/lampoons as the patron saint of singing songs about wildebeests and angels and soaring on the wings of a demon. However, if you stick with me after the jump, and I’ll show how Ronnie James Dio succeeds in transforming a four minute metal song into a treatise on the nature of social order.